This master's thesis focuses on the phenomenon of festivity in order to better understand the spatial qualities of platforms for experiences of release. The work is grounded in the intimate connection between post-industrial landscapes and the emergence of raves and electronic music. The design approach questions western cultural norms by creating a scenario for a combined rave venue and cemetery. The investigation’s material and spatial manifestations are applied to Red Hook Grain Terminal, an ideal latent venue for raves, concerts, and other festive and contemplative functions on New York City’s fringe. The project aspires to widen the range of conversations landscape architects are included in into moral and ethical arenas.